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cabaret essays background and architecture columns analysis by unattained love, Scott Miller. The burgeoning political activism in columns, the United States when Cabaret hit the Change, stage in 1966 – and its growth by greek, 1972 when the unity, film hit theatres – as well as Hal Prince's desire to greek architecture columns, break through to a new kind of socially responsible musical theatre all conspired to emilia (othello), make Cabaret one of the most fascinating stage pieces of the columns, 1960s and a show that speaks to our world in a new millennium more now than at any time since it first opened, as evidenced by unattained love, the smash hit Broadway revival. The singer Sally Bowles represents the greek architecture columns, people who kept their eyes shut to changes in the world around them, and unity the novelist Clifford Bradshaw represents the columns, new (perhaps nave) breed of American activist who could no longer sit by and watch the Essay about in The, government ignore the will of the columns, people. Today, as activism at both ends of the political spectrum has experienced a renaissance in America, Cabaret as a cautionary morality play has tremendous resonance. Cabaret in The Long, its original form was a fascinating but flawed theatre piece. It was director Hal Prince's first experiment in making a concept musical (a show in which the story is secondary to a central message or metaphor), a form he would perfect later on greek, with projects like Company, Follies, Pacific Overtures, Kiss of the Spider Woman , and other musicals. Unattained Love? Early in the process of architecture columns, creating Cabaret , Prince had gone to cathedral symbolism, Russia to see theatre and greek columns had witnessed a provocative, confrontational, rule-busting production at the Taganka Theatre. Citizens Effect On Social Change Example? It was everything Prince had been looking for. He later said, “The Taganka Theatre was traumatizing (in a good sense).” He would forever more gravitate towards theatre that challenged audiences, that intentionally made audiences uncomfortable, that made an audience confront their world in all its contradictions and ugliness.

Walter Kerr said in the New York Times in 1966 that Cabaret “opens the greek architecture, door to Essay Sexualization in The Media, a fresh notion of the greek architecture, bizarre, crackling, harsh and the beguiling uses that can be made of song and management dance.” Other writers and directors further developed the greek, concept musical in Essay Sexualization Media, the 1970s and 80s with shows like A Chorus Line, Working, Chicago, Nine , and greek architecture others, but Cabaret paved the way. Cabaret 's flaw lies in on Social, the fact that the concept musical was still in an embryo stage; Prince was traversing uncharted territory. Greek Architecture Columns? The end product was ground-breaking and Citizens Effect Essay example often shocking, but it was only half a concept musical. Believing that Broadway audiences in greek, 1966 still needed a central romantic couple and a secondary comic couple (as in Oklahoma, Brigadoon, The Pajama Game , and unity others), Prince and his collaborators essentially created two shows, a realistic book show with traditional musical comedy songs, and greek architecture a concept musical with songs that commented on Essay about Sexualization in The Media, the action and the central message of the greek architecture columns, show. When Bob Fosse made the unity, film version of Cabaret in 1972, he jettisoned all the architecture columns, traditional book songs, and the piece became a full-fledged concept musical. In 1987, when Prince revived the stage version, the Kills in Hamlet, The Lottery, examples, show's creators went back and revised the show again, putting back the greek architecture columns, homosexuality in the story, incorporating some improvements from the film version, trying things audiences had not been ready for Citizens Effect Change Essay example, in 1966.

In 1993, Sam Mendes went even further with a production at columns London’s Donmar Warehouse, trimming the Obedience in Hamlet, The Lottery, examples, show’s fat, better focusing the show’s central metaphor, and creating yet another version that better integrates the architecture columns, two separate styles Prince first created. Unattained Love? In Mendes’ version (London, 1993; Broadway, 1998), the entire show was placed in the Kit Kat Klub, on greek architecture, the club stage, and the dialogue scenes became “acts” in unattained love, the club. This better integrated the two parts of the greek architecture columns, show and eliminated the wall between actors and in Hamlet, The Lottery, Essay audience, placing the greek columns, audience on three sides of the stage, only a few feet from the action, rather than across an unattained love, orchestra pit, involving them in the action. Cabaret was based on several chapters from Christopher Isherwood’s somewhat autobiographical novel Goodbye to greek architecture, Berlin , and Citizens Effect on Social Essay it seems that new versions of architecture columns, this story have always appeared at unattained love times of architecture columns, crisis in America. Cathedral Symbolism? The novel appeared at greek the close of World War II; the non-musical stage version debuted during the McCarthy era; the stage musical opened during the Vietnam era; and the movie musical opened in the midst of the Watergate era. Each of these times has also been a turning point in regard to emilia, the social standing of American women and columns gays. Each subsequent version of The Long, this story has been braver, edgier, more explicit, and only now can it be told completely truthfully. Only now can Cliff be fully gay as Christopher Isherwood – the real Cliff – was. Greek Architecture? Only now can the what was the of the gallipoli campaign, Kit Kat Klub be as sexual, as decadent, as it really was.

Only now, after musicals like Assassins and Kiss of the greek columns, Spider Woman, are musical theatre audiences ready for the disturbing extremity that this story really demands. (othello)? Since Cabaret first opened in 1966, people have described the architecture columns, show the same way: it shows how the The Long War Essay, Nazis used the architecture columns, decadence and moral decline of 1930 Berlin to come to power. Kills The Lottery, And A&P? But the accuracy of that description depends on greek architecture columns, how you define decadence. The Long War Essay? Berlin was like any big city in the late 1920s and early 1930s. Was it decadent for gay men and greek columns women to live openly? Was it decadent for Essay, women to live independently and to express their sexuality openly? Was sex outside of marriage decadent? Some people would say yes; others would disagree.

By today’s standards, Berlin was quite progressive and liberal, but hardly Sodom and Gomorrah. In 1929, a bill legalizing consensual gay sex was passed in architecture columns, committee and brought to the floor of the on Social example, German Reichstag, but it was tabled indefinitely when the greek architecture columns, economic panic that followed America’s Depression redirected the Reichstag’s priorities. Cathedral? In fact, Isherwood wrote, in greek architecture, Christopher and His Kind , that Berlin’s decadence was “merely a commercial ‘line’ which the Berliners had instinctively developed in their competition with Paris.” Little did they know Hitler would later use their ‘line’ against unattained love, them. Architecture? What’s most disturbing about the The Long War Essay, show today is that Cabaret shows how politicians in 1930s Germany used the same tactics as politicians in greek columns, America in 2001. (othello)? The Germans saw their country in economic and greek architecture political trouble, due to cathedral, crippling war debts from World War I and greek architecture a deadlocked parliament. The Nazis decided that, like Harold Hill and symbolism the pool table in The Music Man , they had to find a scapegoat on columns, which to pin Germany’s troubles. Change Essay Example? Their plan was to scare ordinary Germans with descriptions of rampant immorality and greek decadence so that the Essay in The, people would vote for the Nazis in hopes that the Nazis would return Germany to the Good Ol’ Days. The Nazis found their scapegoat in columns, the sexual freedom of the The Long War Essay, cosmopolitan big city Berlin.

Throughout the greek columns, history of the world, people in power have always sexualized their enemies, portraying the minority as sexually dangerous and destructive, convincing the Effect Change example, masses that the “rampant” sexuality must be contained, and the Nazis had learned well from architecture history. The truth is neither homosexuals nor women were responsible for Germany’s war debts or the deadlock in the parliament, but the truth is unattained love often less important than emotion and fear. Greek Architecture? What’s truly disturbing is to realize that right wing politicians in Kills The Lottery, and A&P Essay examples, America use the same tactics today, blaming homosexuals (the only architecture columns American minority it’s still acceptable to symbolism, demonize) and sexual freedom in general for all America’s troubles. The only architecture columns difference is Obedience Kills and A&P examples that there’s no Adolf Hitler waiting to architecture columns, seize power. At least not right now. Unattained Love? The More Things Change… Though we’d like to believe otherwise, political rhetoric hasn’t really changed all that much since Nazi Germany. On the subject of columns, Christianity, Hitler said in about Media, a 1933 speech, “The Government of the Reich . . . Architecture Columns? regards Christianity as the The Long War Essay, unshakable foundation of the morals and moral code of the nation.” Similarly, in greek columns, 1981, on The 700 Club , Pat Robertson said, “The Constitution of the cathedral symbolism, United States, for columns, instance, is a marvelous document for about Media, self-government by the Christian people. But the minute you turn the document into columns, the hands of non-Christian people and atheistic people they can use it to (othello), destroy the greek architecture, very foundation of management, our society. And that's what's been happening.

President George Bush (Sr.) said, “I don't know that atheists should be considered citizens, nor should they be considered patriots. This is one nation under God. Greek Architecture? In 1993, Randall Terry, Founder of unattained love, Operation Rescue, said in The News-Sentinel (in Fort Wayne, Indiana), I want you to architecture, just let a wave of intolerance wash over you. I want you to Kills in Hamlet, The Lottery, Essay examples, let a wave of greek architecture columns, hatred wash over unattained love you. Greek Architecture Columns? Yes, hate is good. About Sexualization In The? . . Our goal is architecture columns a Christian nation. Symbolism? We have a Biblical duty, we are called by God, to conquer this country.

We don't want equal time. We don't want pluralism. Architecture Columns? On the Media, subject of the Jews, a 1943 editorial by Ernst Hiemer, describing the (fictional) Jewish agenda, said, “Every Jew has the obligation to see that Christian churches are burned down and wiped out. The faithful must be insulted and greek columns the clergy killed.” In 1990, on The McLaughlin Group, Pat Buchanan echoed the emilia (othello), same fear of Jews when he said, Capitol Hill is Israeli occupied territory. Greek Columns? In 1991, Pat Robertson tried to scare us more when he said, Communism was the brain-child of what outcome gallipoli campaign, German-Jewish intellectuals. Greek Columns? The Aryan Law, an cathedral, early piece of architecture columns, Nazi legislation, said, “The Jewish people, once only (othello) tolerated, knew how to greek, raise a hue and cry about discrimination and persecution, winning the The Long War Essay, sympathy of the world for the ‘poor Jews.’ They increasingly infiltrated deep within our national organism, growing to greek, have power over every single area of our national life.” More recently, Pat Robertson said, I've heard all this stuff about little Jewish kids being marred by Obedience Kills in Hamlet, The Lottery, examples, having to greek, say a prayer in Jesus' name. Cathedral Symbolism? That's all you hear when you're with the architecture columns, liberals, the ACLU. But listen, we don't hear the unity, liberals talking about what happened to greek, Christian little children.

On the subject of race, the Nazi’s Aryan Law said, “In the long run, no idea is better suited to guarantee peace between nations than National Socialist racial thinking, which calls for the furtherance and maintenance of one's own race and about Sexualization Media one's own people, and supports similar efforts on the part of other nations.” In his 1990 book, Right from the greek, Beginning , Pat Buchanan wrote, “In the unattained love, late 1940s and 1950s . . . Architecture Columns? race was never a preoccupation with us, we rarely thought about The Long, it . Columns? . . There were no politics to symbolism, polarize us then, to greek, magnify every slight. The ‘Negroes’ of Effect on Social example, Washington had their public schools, restaurants, bars, movie houses, playgrounds and churches; and we had ours.” On the greek architecture, subject of communism, Hitler said in a 1933 speech, “Communism with its method of Obedience in Hamlet, and A&P Essay, madness is greek architecture columns making a powerful and insidious attack upon our dismayed and War Essay shattered nation. Columns? It seeks to poison and disrupt in order to hurl us into an epoch of was the outcome gallipoli, chaos. . . Greek Architecture Columns? Beginning with the family, it has undermined the management, very foundations of morality and faith and scoffs at greek architecture columns culture and emilia business, nation and Fatherland, justice and honor.” In March 2000, on The 700 Club , Pat Robertson said, “Ladies and gentlemen, the architecture, ACLU, you must remember, was founded by a group of emilia, people, three of greek, which were key members of the Communist International. The key mover of the cathedral symbolism, ACLU said he wanted to make America into a workers' state – read that communist. Greek Columns? And they have had communists on their board until they voted them out and symbolism then they changed their rule and let them back on again.” On the subject of the role of architecture, women, Hitler said, at cathedral symbolism a 1936 women's rally at Nuremberg, “For us the greek architecture columns, woman has always been the loyal companion of the man in work and Essay in The Media life. People often tell me: You want to drive women out of the professions.

No, I only want to make it possible for her to found her own family and to have children, for that is how she can best serve our people!” He went on greek columns, to say, “Do not deceive yourselves! There are two separate arenas in unattained love, the life of a nation: that of greek, men and that of women. Unattained Love? Nature has rightly ordained that men head the greek columns, family and are burdened with the on Social Essay example, task of greek, protecting their people, the community. On Social Change Essay? The world of the woman, when she is fortunate, is greek architecture columns her family, her husband, her children, her home.” In 1992, televangelist Pat Robertson said, [The] feminist agenda is not about equal rights for in Hamlet, and A&P Essay examples, women. Greek? It is about a socialist, anti-family political movement that encourages women to Change Essay, leave their husbands, kill their children, practice witchcraft, destroy capitalism and greek columns become lesbians. Also in unattained love, 1992, Robertson said, I know this is painful for the ladies to architecture columns, hear, but if you get married, you have accepted the headship of cathedral, a man, your husband. Christ is the head of the columns, household and unattained love the husband is the head of the greek, wife, and what was the outcome of the that's the way it is, period. On the subject of greek, homosexuality, the Nazi Party called homosexuality “a deviation from normal sexual behavior . . . to the detriment of the natural increase in in The Media, population.” The Nazis said that sexual relations must “serve the greek architecture, reproductive process.” In 1983, Pat Buchanan wrote in The New York Post , The poor homosexuals – they have declared war on (othello), nature, and greek architecture columns now nature is exacting an management, awful retribution. In 1992, Joseph Gudel wrote, in the Christian Research Journal , “I believe that homosexuality is anatomically aberrant, psychologically deviant, and architecture columns morally bankrupt.” In 2000, right wing radio talk show host “Dr.” Laura said, I call homosexual practices deviant. What Was The Gallipoli? If you're gay or a lesbian, it's a biological error that inhibits you from relating normally to the opposite sex.” In October 2000, the architecture, Pope said, “anything other than a heterosexual union is a step backwards for civilization.” Just as all Jewish teachers in Germany were fired in was the outcome, 1933, the Religious Right in architecture, contemporary American is fighting to have gay men and about women prohibited from teaching in greek architecture columns, public schools as well.

In August 2000, Pat Buchanan unwittingly made his own connection between his ideas and The Long War Essay those of the Nazis. Columns? He said, “Rampant homosexuality [has been] a sign of cultural decadence and about moral decline from greek columns Rome to emilia (othello), Weimar Germany. Buchanan agreed with the Nazis that gay Germans in the period preceding the columns, Third Reich were a problem that had to Effect on Social, be “corrected.” The “culture wars” are not new to greek, contemporary America. They were fought just as hard, and with the emilia, same rhetoric, in columns, Nazi Germany. In 1935 in emilia (othello), Germany, the Institute for greek architecture columns, the Study of the Citizens on Social, Jewish Question published a report on popular entertainment, which said, “The sexualization of reality is an expression of the Jewish spirit. Greek Architecture? The Jew Freud traces all mental processes back to unattained love, sexual stimulation.” The report concluded that German cabarets were the primary purveyors of this “Jewish perversion.” Similarly, in architecture, a September 1993 speech to management, the Christian Coalition, Pat Buchanan declared, “Our culture is columns superior because our religion is Effect example Christianity and that is the columns, truth that makes men free.” Bill Bennett wrote in unity management, the Weekly Standard in August 1999, “Now is the architecture columns, time for Citizens Effect Essay example, identifying and architecture columns ostracizing the Essay about in The, country's cultural polluters.” With hundreds of thousands of Americans watching Pat Robertson’s TV show The 700 Club , listening to greek architecture columns, religious radio stations, receiving mailings from the Christian Coalition, and unattained love attending fundamentalist churches, the influence of religious extremists cannot be underestimated. Greek Architecture? Though many Americans today would argue that the rhetoric of Pat Robertson, Jerry Falwell, and their cohorts is unity management benign, it’s important to note that the anti-Semitism in greek columns, Germany started in small, seemingly innocuous ways, and grew over unity time into architecture, the Holocaust. Essay About? In the early 1930s, many average Germans, believing the claims that German Jews were responsible for many of Germany’s problems, began to greek architecture, avoid their Jewish friends. Unattained Love? Signs appeared in greek architecture, grocery stores declaring that Jews were not welcome. Most non-Jews stopped patronizing Jewish-owned businesses. By 1938, sixty percent of unattained love, businesses owned by Jews in 1933 had gone out of greek columns, business.

Anti-Jewish legislation was labeled with positive, patriotic sounding names, like the “Law for outcome of the gallipoli campaign, the Protection of greek, German Blood and Kills in Hamlet, The Lottery, and A&P examples Honor,” presaging the greek architecture, recent anti-gay legislation passed in unity management, the U.S. Congress, the “Defense of Marriage Act.” Like American politicians today, the architecture, Nazis created fictional “attacks” on German culture and dressed up their own attacks as “defenses.” So Cabaret continues to have great resonance. Perhaps political propaganda never really changes. Unattained Love? It always demonizes the minority, paints a picture of imminent destruction, then promises a return to the normalcy of a time (that never really existed) when things were simpler and architecture columns less scary. Emilia (othello)? Director Hal Prince said about the greek architecture, original production, “It was only (othello) after we’d come by a reason for greek architecture columns, telling that story parallel to contemporary problems in our country that the project interested me.” And that philosophy still stands. It’s only management compelling, only greek architecture columns shocking, only powerful because we can see today at unity management least some of greek architecture, what Cliff could see back then. 1930. Weimar Germany was in trouble. Due to in Hamlet, Essay, the war debts, rampant inflation, and a bickering, multi-party parliament, the architecture, country was in in Hamlet, The Lottery, Essay examples, economic and political ruin. Columns? There was political dissension everywhere. The people, particularly the Citizens Effect on Social Essay, conservative middle class, were unhappy.

Adolph Hitler finally figured out that the way to take power was through propaganda – telling the architecture, people what they wanted to hear. (And is that any different today?) Hitler's ultra-conservative Nazi party began a war of propaganda against the standing government. He promised an end to Obedience in Hamlet, The Lottery, and A&P Essay, the depression, to political corruption and incompetence, to moral decay. Greek? He declared war on cathedral, popular culture, which he portrayed as decadent, obscene, and anti-German. Architecture Columns? He attacked Jews, homosexuals, feminists, and artists for War Essay, ruining the country. Greek Architecture? Though cabarets in Berlin had been somewhat regulated before the Nazis, the new rgime held up cabaret performances as a perfect example of the decadence and moral decay of Berlin.

The Nazis clamped down on cabarets, dictating exactly what content was acceptable. Though some cabarets were respectable enterprises, the 1930 German film The Blue Angel , with Marlene Dietrich, offers a unique glimpse into The Long War Essay, what the lower form of German cabaret (like Cabaret ’s Kit Kat Klub) was really like, with tiny stages, unattractive women in greek columns, revealing clothing, social and was the outcome political parody numbers, sexual innuendo, clowns, drag numbers, animal acts (echoed in columns, Cabaret with “If You Could See Her”), and what was the outcome campaign rowdy, drunken audiences. Columns? In fact The Blue Angel captures exactly the Nazi view of unattained love, cabarets; in architecture columns, the film, a school professor gets involved with a cabaret performer and, as a result, he loses his job, his respectability, and his dignity, and was the he ends up touring with the cabaret, selling dirty pictures of the woman who is now his wife. Hitler and the Nazis championed the family unit, traditional roles for greek architecture, men and women, children, and Essay Media traditional “Christian” values. (Ironically, Nazism later became an image frequently used in pornography.) Hitler promised to architecture, save Germany from the terrible predicament it found itself in. In Cabaret , Ernst echoes the Nazi's promises when he tells Cliff that the emilia, Nazis will be the greek columns, builders of a new Germany, just as today’s religious leaders talk about building a new “Christian America.” With hindsight, it's now possible to see that Hitler promised and attacked almost all the same things that many political candidates in Sexualization, America have promised and greek attacked in recent U.S. elections, things that many politicians and religious leaders still promise and still attack. In the unattained love, 1930s, the Nazis told middle class, hard-working German that the greek architecture columns, Jews were only unity management one percent of the greek architecture columns, population and Obedience Kills in Hamlet, The Lottery, Essay examples yet controlled the government and greek had all the outcome gallipoli, money. In the 1980s and 1990s, religious right leaders in greek architecture columns, America began telling Americans the exact same things about gay men and women. The Nazis claimed Jews were spreading disease throughout Germany, just as today’s religious extremists claim gays are spreading AIDS (even though the of the gallipoli, vast majority of people with AIDS worldwide are heterosexuals). German Jews were portrayed as abnormal, depraved, and immoral, the architecture, same stereotypes used today against outcome of the campaign, American gays.

Both German Jews in the 1930s and greek architecture American gays at the end of the twentieth century have been called anti-Christian, anti-family, criminal, and immoral. Jews were portrayed as sex maniacs and child molesters, just as gays are now accused of the same things. The Nazis had learned well that the best way to attack the minority was to unattained love, sexualize them to architecture, the mainstream, as was done to The Long, the Jews in greek, 1930s Germany, to blacks in 1950s America, and to gays in unity, contemporary America. Greek Architecture Columns? Politicians and emilia (othello) religious leaders across America still echo the architecture, themes of (othello), Nazi propaganda, declaring that our country is in a state of moral decay and greek architecture columns political disarray, that our culture is disintegrating, that movies, TV, and unity pop music are full of gratuitous sex and violence, that mainstream religion is greek under attack. These parallels make the world of 1930 Berlin that much scarier, and The Long they make it that much easier to see why normal, upstanding German citizens could support the greek columns, Nazi party. People were desperate for change, for unity management, a quick fix, for salvation from the things they perceived as deadly to columns, their nation and to management, their way of life. It's doubtful that anyone like Hitler could take over greek columns America today, but the about Sexualization in The, fact that there are clear parallels to the current political climate in our country make Cabaret more frightening and columns important today than it was even when it was written. If we ignore history, we are doomed to repeat it. Effect On Social Change Example? It Could Happen Here. Columns? One of the show's central messages is that It Could Happen Here. At the unattained love, beginning of the greek architecture columns, show, in Obedience The Lottery, and A&P Essay examples, the original 1966 production, there was a giant mirror onstage facing the audience.

The implication was that the people of Germany, who allowed the Nazis to take power, were very much like us, just ordinary people who found their country in trouble and looked for greek architecture columns, someone to fix things, to offer easy solutions. Obedience In Hamlet, Essay? If we had lived in 1930 Berlin, the greek architecture, mirror suggests, we too would have been cajoled into believing the Nazis could save the unity management, country. It also says that we – the columns, populace – are as much to blame for such horrors as corrupt politicians. Whatever happens in our country, we allow to happen. Most of the leading characters in Cabaret represent an archetype. The Emcee is the Obedience Kills in Hamlet, Essay, personification of architecture columns, unfettered sexual freedom. He is the movie industry in symbolism, contemporary America, as well as the recording industry, television, and tabloid journalism.

He makes extreme sexuality appealing, entertaining, inviting. Sally Bowles is the architecture columns, self-involved, head-in-the-sand young person, looking only for Citizens Effect Essay example, the next party, constant gratification, and greek complete freedom from (othello) responsibility. Greek Architecture? She refuses to think about politics and social issues because it gets in the way of Effect Change Essay example, a good time. She uses sex and greek architecture columns alcohol to what gallipoli campaign, hide from the columns, real world. She represents both the “decadence” that the what outcome of the gallipoli campaign, Nazis fashioned into greek, successful propaganda, as well as the passivity that allowed their meteoric rise to power. Fraulein Schneider represents those who see what's happening but who believe they have no power to change anything. She doesn't like it, but resigns herself to the fact that she is symbolism powerless. She is about survival.

Herr Schultz is architecture foolishly optimistic; he believes so completely in the intrinsic goodness of cathedral symbolism, humanity that he cannot believe that Jews will be expelled or persecuted in their own country. Cliff represents morality and greek social conscience. He sees what happening (though not until pretty late in of the, the game) and he refuses to accept it. He says to Sally, “If you're not against all this [the Nazis], you're for it – or you might as well be.” The audience wants to greek columns, see themselves in emilia, Cliff, but in columns, reality, most of us are either Fraulein Schneider or Sally. America's political climate in management, 1966, when Cabaret opened on greek architecture columns, Broadway, was just as explosive as 1930 Berlin. Effect Change Example? Despite the architecture columns, civil rights bill that the U.S. Congress had passed in 1964, race riots were happening all over was the outcome of the gallipoli the country – in columns, Harlem in unity management, July 1964, in Watts (Los Angeles) in August 1965, in greek architecture columns, Cleveland and Chicago in July 1966, as well as in Atlanta and other cities. Malcolm X was assassinated in February 1965. Martin Luther King Jr.'s first march from Selma to Essay in The Media, Montgomery, Alabama took place in columns, March 1965.

Anti-war demonstrations began on the campus of the was the of the gallipoli, University of California-Berkeley in architecture columns, 1964, and cathedral continued throughout the greek architecture, 60s across the War Essay, country. The first anti-war march on Washington was held in May 1965. U.S. troops launched their first full-scale combat in greek architecture, Vietnam in July 1965. What Was The Outcome Of The Gallipoli? Hogan's Heroes , a television sitcom about greek architecture columns, a German P.O.W. camp, debuted in 1965. The University of Citizens Effect Change Essay example, Mississippi's first black student was shot in architecture, June 1966, the same month that students marched on The Long, Washington again, this time for greek architecture, voting rights. Of The Campaign? The heavily political Smothers Brothers Comedy Hour debuted on greek columns, NBC in September 1966, and went on cathedral, to become the only television show canceled because of its subversive political content. Clearly, America was ready for a political musical when Cabaret opened in November of 1966. While the show was running, the anti-war, concept musical Hair opened in architecture columns, 1967, and emilia TV's Laugh-In debuted in 1968, with its outrageous brand of greek architecture columns, social and symbolism political satire.

Another example of the architecture columns, parallels between 1930s Germany and Change example 1960s America was articulated by columns, Jean Ross, Isherwood’s real world model for was the campaign, Sally Bowles, who said in columns, an 1975 interview, “We were all utterly against on Social Essay, the bourgeois standards of our parents’ generation. That’s what took us to Berlin. Greek Architecture? The climate was freer there. I suppose nowadays you’d call us hippies.” Also, though it may seem hard to believe now, details of the Holocaust were only just beginning to Media, come out to the public at greek architecture the time of the original production of Cabaret . Throughout the 1950s, very few people had talked about the concentration camps, perhaps partly out of trauma, partly out of cathedral symbolism, needing time for healing, and partly out of survivor’s guilt. It wasn’t until the greek, early 1960s that people started writing about what had happened in Germany. Some historians and psychologists believed that guilt over emilia the Holocaust is a big part of what fueled the greek columns, political activism of the 1960s. It gave Holocaust survivors and their children a mechanism to act against injustice in a way they couldn’t during World War II. One Jewish American said, “We were going to be active where our parents’ generation had been passive. Then we could tell our parents: We learned when we were children that massacres really happen and the private life is (othello) not enough.” Cabaret the musical looks at greek columns two cultural phenomena in pre-war Germany. First, the War Essay, sexual freedom celebrated in cabarets, open homosexuality, a new feminism, and architecture other trends, gave a certain segment of the what was the gallipoli campaign, population (like Cliff and Sally in Cabaret ) a kind of architecture, independence they had not experienced before; and they were so enraptured with this new world, that many were happily distracted and unaware of what was happening politically.

Self-delusion was rampant. Management? Christopher Isherwood wrote, in Christopher and greek architecture columns His Kind , that he “knew only one pair of homosexual lovers who declared proudly that they were Nazis. Misled by their own erotic vision of a New Sparta, they fondly supposed that Germany was entering an was the, era of military man-love, with all women excluded.” It’s important to note that many Germans did not even vote in the elections that brought the Nazis to greek architecture columns, power – just as most people in America do not vote today. And significantly, Hitler did not come to unattained love, power through a vote of the architecture, people. The Nazis actually lost votes in the Reichstag in Effect, the election before Hitler took over, but the columns, German president appointed Hitler chancellor, in unity, hopes of bringing the still powerful, rogue Nazi party under some sort of control. Greek Architecture Columns? But then the Nazis pressured the Citizens on Social example, Reichstag into passing the columns, “Enabling Act” which gave Hitler unlimited power. This allowed the cathedral symbolism, German people to deny responsibility for Hitler being in power.

They could claim that they didn’t even vote, or if they did, they never voted for Hitler. One of the greek columns, most fascinating things about cathedral, Cabaret is that we don’t see a swastika until the end of Act I, we don’t hear the word “Nazi” until Act II, and we never hear the name “Hitler” during the whole evening, all this even though the whole show is greek architecture columns about how Hitler and what was the outcome gallipoli campaign the Nazis were able to columns, come to power. The second phenomenon is The Long War Essay that many people (like Herr Schultz in greek, Cabaret ) simply couldn't believe that anything so terrible could happen to what outcome of the, loyal Germans; who could've dreamed before Hitler's rise to greek architecture columns, power that anyone would've orchestrated the systematic extermination of Obedience Kills in Hamlet, examples, millions of architecture columns, Jews and homosexuals? Most Jewish men refused to Essay Sexualization in The, leave Germany, despite their wives’ pleading. Greek Columns? The men were often more educated and didn’t think their wives “understood” Germany as well as they did. They couldn’t bring themselves to management, give up their businesses, to architecture, give up their connections, to be rejected by cathedral symbolism, the country for greek, which they had fought in World War I. Because German men tended to unattained love, be more connected to and involved in culture outside the columns, home, they felt an even deeper connection to in The, Germany. One former judge told his wife, “The German people, the German judges, will not stand for much more of this madness.” One women remembered that she knew so many “decent Germans” that she never thought the columns, Nazis could get a foothold because of the “moderate character” of the unattained love, German people. It’s important to columns, understand that Herr Schultz represents many, many real German Jews, who could not fathom that the management, Nazis could orchestrate something as horrific and far-reaching as the architecture, Holocaust. The “mixed” marriage between Herr Schultz and Fraulein Schneider was also a common thing in Germany before the Nazis. But the Nazis criminalized sexual relations and cathedral symbolism marriage between “Aryans” and “non-Aryans.” In 1938, a state superior court in greek, Germany allowed a man to divorce his wife only because he found out she had had an affair with a Jewish man in 1932, before they were married . After the The Long, Nazi takeover, “Aryan” women who married Jews were forced to walk through the city with shaved heads and columns signs proclaiming their “crime” of “race defilement.” Because any association with a Jew could lead to unattained love, trouble or even imprisonment for an “Aryan,” the majority of greek, gentiles broke off relationships – even family relationships – with Jews, to (othello), protect themselves. Greek Columns? Many flew the cathedral symbolism, Nazi flag specifically to negate the shadow of architecture, past relationships with Jews.

In many cases, German citizens whose family members planned to outcome of the gallipoli campaign, marry Jews, would threaten to report them to the Gestapo, to avoid trouble for the rest of the architecture, family. Is there a parallel situation in America today? Yes, though it’s far less dramatic. In February 2001, former U.S. Republican congressman Steve Gunderson wrote, “I’m struck by Essay Sexualization in The, the conflict many Republicans in greek architecture, Congress feel regarding gay issues. Unattained Love? They want to support us personally – but they fear us politically because they may face a hostile, antigay home constituency.” The Republicans Gunderson describe don’t fear for their lives or their families, only for their political careers, but like many Germans in the 1930s, they end up practicing prejudice not because they believe in greek architecture columns, it but because they’re afraid not to management, practice it. Fraulein Schneider’s decision in architecture columns, Cabaret to break off her engagement with Herr Schultz is not just soap opera. She has a business to The Long War Essay, run.

She has to architecture, maintain an image of respectability. This happened in on Social, Germany far too often. People like Fraulein Schneider were frequently punished and even sent to prison camps merely because they were married to Jews. Architecture? (Interestingly, mixed couples with gentile husbands were punished less severely than mixed couples with Jewish husbands.) Perhaps Cabaret gives Fraulein Schneider too much credit in foreseeing this danger in examples, 1930, but the danger was real. Columns? Isherwood wrote about the management, real life model for Fraulein Schneider: “Like millions of architecture, others, she had to War Essay, go on living in Germany and making the best of it, no matter who was in power. She would remain what she essentially was, a sweet, muddled victim of her rulers – guilty only by association with them – no more and greek architecture columns no less a Nazi than she had been a communist.” Through the many incarnations of the story – Christopher Isherwood’s book Goodbye to Berlin (1939), John Van Druten's play I Am a Camera (1951), Henry Cornelius’ film of the same name (1955), the unattained love, stage version of columns, Cabaret (1966), its movie version (1972), and The Long War Essay its three revised stage versions (1987, 1993, 1998) – the greek, Isherwood character (Cliff or Brian in Cabaret ) has been variously straight, gay and bisexual. Isherwood himself was gay, but because of The Lottery, and A&P examples, societal restraints, earlier versions made his character straight. The 1966 stage version of Cabaret kept him straight; while the movie made him a gay man who decides to be straight and later ends up bisexual; and the two revivals made him gay. Columns? The gay subtext that underlines all these versions parallels the outsider status of Sally and all the in Hamlet, and A&P examples, people at greek architecture the Kit Kat Klub. They live outside society's norms, outside the accepted rules.

They are marginalized and Essay Media they create their own insular community as homosexuals have done for decades. Greek Architecture? The Emcee in what was the outcome gallipoli campaign, Cabaret reinforces this theme of any and columns all sexualities. In the cathedral, original version, where Cliff was straight, he represented the architecture, norm against which the cathedral, extremity of Sally and greek architecture columns Nazism are measured. (othello)? He was the greek architecture columns, outsider in Sexualization, this world precisely because he was the greek, ultimate insider elsewhere – a straight, white male. In later versions, as Cliff became a member of unattained love, a sexual minority, he lost that status, and by default we, the greek columns, audience, became the norm against War Essay, which to architecture, measure the characters in Obedience Kills in Hamlet, and A&P Essay examples, the show. Architecture Columns? But Cliff remains the emotional and moral center of the emilia (othello), story. We still see it all through his eyes, the eyes of a non-German.

Cliff also mirrored the columns, changing face of (othello), America in architecture columns, 1966. Young people were realizing for the first time that there were horrible things happening in the world. They were waking up, realizing that they had a responsibility to about Sexualization Media, speak up and greek columns register their dissatisfaction. It was a new age of and A&P Essay examples, political activism. The first line of the greek columns, title song, asking what the point was in sitting home doing nothing, was a question young people across America were asking themselves.

Demonstrations were breaking out on college campuses everywhere. People were marching on unity, Washington. Cliff's growing awareness of the greek, Nazis' presence and the implications of emilia (othello), their politics portrayed the architecture columns, growing political awareness of America. Was The Outcome Of The Gallipoli Campaign? But this new political awareness among young people brought with it a naivete and an over-simplification of issues. For many young people this was their first Fight for What’s Right, and they jumped into the fray without really understanding the greek columns, full complexity of what they were fighting for. (othello)? Passion won out over complete understanding. Cliff's immaturity and greek columns his many contradictions and unattained love hypocrisies give him that kind of naive, slightly ridiculous moral outrage that only architecture a twenty-five-year-old can muster. War Essay? He is just like so many college kids, then and greek architecture now, who discover politics and find themselves suddenly outraged over Sexualization in The Media injustices about which they actually know very little.

After all, Cliff himself tells Ernst he doesn’t want to know who or what he’s smuggling for. Greek Architecture Columns? Cliff knows he’s working (indirectly) for The Lottery, and A&P Essay examples, a political party but he wants to columns, stay blissfully ignorant. But then once he finds out emilia Ernst is a member of the Nazi party, suddenly Cliff becomes political. He lectures Sally in architecture, Act II (“Don’t you see? Either you’re against all this or you’re for it.”) but he conveniently forgets that he actually helped the Essay about in The, Nazis by architecture columns, smuggling for cathedral symbolism, them.

In fact, he takes the same moral posture that the Nazis take – that only his morality is the greek architecture columns, right one, that all others are wrong. Cathedral Symbolism? Extremism in architecture, any form is War Essay dangerous, and greek architecture Cliff is perhaps even more an cathedral symbolism, extremist than Ernst. At the end of the greek columns, show, when he insists that Sally leave Berlin with him, Cliff is making a moral decision for examples, himself, but can he make it for Sally as well? If he dictates her morality, isn't that exactly what the Nazis are trying to greek, do? Cliff is Effect on Social Change example also something of columns, a hypocrite, but that too can be chalked up to immaturity. In his song “Why Should I Wake Up?” the fact that he’s “drifting” is Obedience in Hamlet, and A&P Essay a romantic, positive thing. Architecture Columns? Yet just a few minutes later, after he finds out War Essay Sally’s pregnant, he decides the fact that they are “drifting” is greek architecture columns something that should be remedied. In the song, the emilia (othello), idea of greek columns, “waking up” is was the outcome of the gallipoli campaign a bad idea. In Act II, he screams at sally to architecture columns, wake up. Cliff begins the about Sexualization in The, story no more aware than anyone else. Greek? In Act I, he says everyone’s having such a good time that if they were in a movie, something horrible would have to happen to them, but he has no idea how right he is.

He’s too nave to notice that when he meets Ernst on the train, Ernst has no interest in him until Cliff pretends to have “smuggled a little” himself. Once Ernst sees Cliff can be useful, he’s suddenly Cliff’s best friend, immediately doing him favors so that Cliff will owe him. Later, Cliff agrees to smuggle for unattained love, Ernst, asking Ernst not to greek, tell him who's he smuggling for. Cliff is Sexualization Media happy just being an observer, not a participant. In the columns, original novel the narrator says, “I am a camera, with its shutter open, quite passive, recording, not thinking. Someday, all this will have to emilia, be developed, carefully printed, fixed.” Some recent productions have opened the show with those sentences. At the greek, party at the end of the first act, Cliff starts to unattained love, “wake up” and gives up his passive role as only an architecture, observer. Unity Management? He finds out he has been drawn into Nazi politics without knowing it, just as many Germans were.

Now he’s involved whether he likes it or not. Columns? He no longer merely records. He interprets. People he cares about are at risk. He realizes that he's been sleepwalking through life, his eyes closed, just like Sally.

But though Cliff eventually wakes up, Sally does not. When he demands that Sally return to (othello), America with him and leave the powder keg that Germany has become, she refuses. Greek Columns? He orders her to pack and therein makes a fatal mistake. Unattained Love? Sally is architecture columns a woman who deeply cherishes her independence; Cliff's attempt to examples, force her into doing as he says only makes her more resolved to stay. He forces her to greek architecture columns, choose between family life – at Citizens Essay which she thinks she'd fail – and the exciting, dangerous, potentially lucrative night life of Berlin. When he begins to columns, write his book at the end of the show, he mentions the The Long War Essay, three main elements of the Nazis' rise to power – the architecture columns, Kit Kat Klub and unattained love the Emcee, examples of apathy and the “decadence” the Nazis will use to illustrate the downfall of Germany; Germany itself, crippled by greek columns, political, social, and financial collapse; and management Sally, one of the people who are unwilling to think about politics, to architecture, see what's happening, to take a moral position and War Essay stand up for they believe. The flashbacks that end the show are Cliff's thoughts swimming around in his head, falling into a kind of greek columns, logical order so that he can put them down on symbolism, paper. Architecture? Though he is Effect Essay example running from the Nazis, he is architecture columns finally taking his stand by telling the story. Interestingly, Cliff’s two songs, “Why Should I Wake Up” and “Don’t Go” (added for what was the gallipoli campaign, the 1987 revival and columns now “optional”) don’t sound like the rest of the score. They’re both closer to was the outcome campaign, a traditional 1960s Broadway sound and greek architecture they don’t seem to match the dark, minor, German sound of the other songs.

Even Sally’s 1920s flapper sound in unattained love, “Don’t Tell Mama” and “Perfectly Marvelous” retains the dissonant, minor quality of the more German sounding numbers, and architecture columns her final number “Cabaret” is as German sounding as “Wilkommen” – in about Sexualization in The Media, fact these two songs even share accompaniment patterns. And Sally’s two songs added for the film and later stage versions, “Mein Herr” and “Maybe This Time,” fully invest her with the torchy, minor sound of German cabaret. But making Cliff’s music different was a conscious choice. Architecture? Cliff himself does not fit into German life and unattained love philosophy. He is an columns, outsider and therefore his music must be outside as well. He sings a verse of Obedience in Hamlet,, “Perfectly Marvelous” (and Sally’s verses of this song are actually her speaking in greek, Cliff’s voice, so there’s an argument to be made that this is his song as well) but “Perfectly Marvelous” is the least German sounding of Sally’s songs. Some would argue Cliff’s songs disrupt the unity of the score, and though this may be true to Obedience Kills and A&P, a degree, it would be wrong to give Cliff the same sound as the others. Columns? The only other option is to leave Cliff as a non-singing role (as the Citizens Effect example, movie did), but in greek columns, a musical, songs give a character weight. Cliff is the moral and narrative center of the show, and to leave him without music would diminish his importance. A Perfectly Marvelous Girl.

Sally Bowles functions as the connection between the two worlds of emilia, Cabaret . Greek Columns? She is a part of the world of the Kit Kat Klub (note the initials), and a part of the real world that includes Cliff, Fraulein Schneider, Herr Schultz, and Ernst. She is a little girl playing dress-up, making up stories, trying to symbolism, be sexy and shocking, never really being too successful at either, always performing her sexiness, putting quotation marks around “sexy.” Isherwood once said to playwright John Van Druten, who dramatized Goodbye to Berlin , “She’s a little girl who has listened to greek columns, what the emilia (othello), grownups had said about tarts, and who was trying to apply those things.” In fact, though some stage versions of the show use the songs “Mein Herr” and greek architecture columns “Maybe This Time” from the movie, those songs don’t really work for Sally as she’s written on stage. Citizens Effect Essay? “Mein Herr” is not the song of greek architecture, a little girl; it’s the song of (othello), a worldly wise woman. Greek Architecture Columns? “Don’t Tell Mama” is emilia (othello) much more Sally Bowles, the child-woman who still cares too much about what her mother thinks. And “Maybe This Time” is far too romantic for greek, the stage Sally. About Sexualization? She’s not mature enough for these sentiments. In the greek, stage musical, she doesn’t get a song about love for unattained love, a very good reason. Greek Architecture Columns? She doesn’t understand love and has probably never experienced mature love. Songs in musicals express emotion, and Sally is War Essay not an columns, emotional woman. It’s no accident that she only gets three songs – “Don’t Tell Mama,” a playful club number about sex, “Perfectly Marvelous,” essentially a self-involved con job on Cliff, and “Cabaret,” the manic, tragic result of her carelessness. There are hints throughout the was the outcome of the, stage and film versions that Sally’s vast sexual experience, her many sexual conquests, might be exaggerations or even outright fabrications. In Isherwood’s book Christopher and His Kind , he writes about discussions of the architecture columns, play I Am a Camera with playwright John van Druten and emilia (othello) Julie Harris, who played Sally. “John Van Druten and greek architecture columns [I] discussed with her the possibility that nearly all of Sexualization, Sally’s sex life is architecture imaginary; and they agreed that the part should be played so that the symbolism, audience wouldn’t be able to architecture, make up its mind, either way.” Also, logically speaking, Sally shouldn't be too good a singer; she's supposed to be a second-rate performer who'll never make it out emilia of the third-rate Kit Kat Klub. Judith Newmark wrote in the St.

Louis Post Dispatch that Sally is more pose than talent onstage and greek architecture columns more pose than heart offstage, and about in The that perfectly captures this deliciously complex character. That's how Sally is portrayed in greek columns, the stories on which Cabaret is based. Unfortunately, that creates a practical problem – how do you put a second-rate singer in a leading role in emilia, a musical? In the greek columns, original Broadway production, Hal Prince cast Jill Haworth specifically because she wasn't a great singer, and was the gallipoli campaign the critics blasted him for it. In Bob Fosse's movie version, he cast Liza Minnelli, who turned in columns, an amazing performance, yet we could never believe that this astounding singer was stuck in anonymity in a seedy little night club. As an extension of her little girl persona, Sally’s game playing is an emilia, essential part of greek architecture, her character, the part that guarantees that her relationship with Cliff won’t work out.

And we see this from the Obedience examples, beginning. Greek Architecture Columns? When Sally and War Essay Cliff first meet face to greek columns, face in the Kit Kat Klub, two small moments speak volumes about Sally. Citizens Effect Change Essay Example? First, she doesn’t really get interested in Cliff until she finds out greek columns he’s a novelist looking for “something to management, write about.” It’s only when she realizes she might be the subject of a novel that she finds Cliff worth exploring and greek starts asking him questions. What Of The Gallipoli? Second, he exposes her game playing later in greek architecture columns, the same conversation: Sally: I say, am I shocking you, talking like this? Cliff: I say, are you trying to shock me? This is Essay about when Sally loses interest.

Cliff won’t play the game and what’s worse, he won’t let her play the game either. If there isn’t going to greek columns, be a game, she’s bored and emilia goes looking for columns, a game elsewhere. After Cliff’s line exposing her game, she says only one more line then exits. The flirtation is cut short and Cliff is left wondering what just happened. The Long? This scenario will play out over and over again. Greek Architecture Columns? Cliff repeatedly exposes Sally’s games over the course of the cathedral, show and in every case she either shuts down or leaves. Greek? Only games can hold her attention, and only if she’s in control of the games. What makes Sally such a bizarre leading character is cathedral that she doesn’t change or grow. In all drama – books, plays, movies – leading characters have to architecture columns, learn something over emilia the course of the story. They have to change in greek architecture, some way.

But Sally Bowles doesn’t. In a 1937 interview, Isherwood said, “It seems to me that Sally, without the unattained love, abortion sequence, would just be a silly little capricious bitch. The whole idea of the columns, story is to Sexualization Media, show that even the greatest disasters leave a person like Sally essentially unchanged.” Sally tells Cliff in Act II that you can't really stop things from happening and greek architecture columns that you can't really change people. She's referring to herself but she's also talking about the German people. The Nazis will take power no matter what anyone tries to do to stop them. She is finally moving from in The ignorance to greek architecture, the beginnings of awareness, but she will end up more like Fraulein Schneider than Cliff. She tells Cliff that he's an innocent, and in unity management, a way, she's right; he still believes that you can fight for greek columns, what you believe in and make a difference in emilia (othello), the world. Sally's big number in greek columns, Act II, “Cabaret,” has become a pop standard outside the show, but in context it is unattained love a decidedly unpleasant song. Sally is greek going on stage at unity the club to sing about living life to architecture columns, the fullest, after losing the (othello), man she loves, deciding to greek architecture, pursue a career that will never happen, and of the campaign possibly after deciding to columns, have an abortion (it’s unclear exactly when she makes that decision). Emilia? Cliff can't stay in Germany anymore, but Sally has to stay in architecture columns, order to unattained love, follow the dreams that will never be realized.

She is architecture columns a tragic character, self-deluded and self-destructive. (othello)? And really, neither of Sally’s choices – either full, unrelenting domesticity or extreme and dangerous eroticism – is realistic for architecture, her. Either path leads to destruction for her. Sally can’t have the baby because in her mind, her mother is unattained love all mothers and she doesn’t want to be that – boring, smothering, anti-sexual –as her mother is greek architecture columns portrayed in was the, I Am a Camera and in the song “Don’t Tell Mama” in architecture columns, Cabaret . (Isherwood later wrote of cathedral symbolism, his own mother in greek architecture columns, these terms.) In the 1993 London revival the song “Cabaret” became much more painful and more dramatic than in earlier versions, a primal scream of pain, an angry, frightening howl of Essay Sexualization in The Media, despair, that closes Sally’s story in architecture columns, hopelessness. A Bizarre Little Figure. Director Hal Prince had seen a dwarf emcee at Obedience Kills in Hamlet, The Lottery, Essay a club in Germany once, and greek architecture columns that was the inspiration for what was the of the, Cabaret 's Emcee. Architecture? The Emcee represents German popular entertainment, metropolitan nightlife, the newfound sexual freedom that the emilia, Nazis would exploit in their propaganda. Greek Architecture Columns? The Emcee is Berlin, in all its glamour and danger and wildness.

In Isherwood’s book Christopher and His Kind , he writes that “It was Berlin itself [I] was hungry to meet.” When Cliff starts writing his book on what was the outcome of the gallipoli, the train leaving Berlin at greek architecture columns the end of Cabaret , the Emcee is mentioned before Sally, giving him even more weight. The Long? In the original production, the Emcee was onstage during many of the greek, book scenes, observing the action, a device Prince would use again in Company and Sweeney Todd . The Emcee gets twice as many songs as Sally, as well as both opening and closing the unity management, show. If the architecture columns, show's concept is the about Sexualization in The, central character, he is greek columns certainly the in The Media, personification of greek architecture, that concept. In Hamlet, Essay? He lies (“Even the architecture columns, orchestra is unattained love beautiful. ”) and shows us the horrific truth through his lies. Architecture? He's charming but also dangerous. His behavior is unity completely uncontrolled; he has no boundaries, no conscience, no rules – not unlike Hitler. He shows us the moral freedom that many Germans were enjoying, but also shows us why that freedom can be a bad thing. Greek? The Emcee pretends to be apolitical but most of the Obedience Kills Essay, club numbers are political and architecture columns social satire. Many of the about, cabarets in architecture, Germany at unity management that time included biting political satire in their shows. But the cabaret owners who indulged in political satire after 1930 were quickly thrown in jail. Greek Columns? The Nazis publicly stated that the cabarets in Kills The Lottery, examples, Berlin were responsible for architecture, losing the war in 1918 and for the “decadence” that was destroying Germany.

Obviously, a handful of emilia (othello), clubs and theatres in columns, one city could not have had such an effect, but this stance was necessary to justify Hitler’s censorship of the cabarets and The Long his banishment of Jews from greek cabaret stages. Cathedral Symbolism? When the architecture, Emcee welcomes us at what of the gallipoli the beginning, it is unsettling precisely because it is too perky, too happy, like old-fashioned musicals but distorted. Prince used the kind of architecture, brainless, happy, musical comedy conventions of the 20s and 30s to illustrate the danger in ignoring the what of the gallipoli campaign, real world. Hollywood in that era put on the same happy face, asking us to forget the war, the architecture columns, Depression, the death, the poverty. There may be some value in escapism, but when does it become dangerous to escape? When do we do ourselves a disservice by forgetting the horrors of the world? The Emcee tells us to Essay about Sexualization in The, leave our troubles outside, but in architecture columns, reality, those troubles are already inside, pervading every moment of the what was the outcome of the gallipoli campaign, show. We already know what will happen in Germany during the 1930s.

The Emcee tells us the greek, girls and the orchestra are beautiful when we can plainly see that they are garish, vulgar, scary – some of the unity, “girls” are actually men in drag. He looks us straight in greek architecture columns, the eye and tells us to enjoy ourselves as he presents portrayals of immorality, prejudice, hatred, and self-delusion. Example? When he repeats his welcoming speech at greek architecture columns the end of the show, it is unattained love even more frightening now; he's still perky even after we've watched several lives utterly destroyed – and we know this is greek architecture columns only the beginning of the on Social, horror for some of these characters. At the greek architecture columns, very end, the cathedral symbolism, Emcee briefly reprises “Willkommen,” perhaps an ironic welcome to the new Germany Ernst and the Nazis are building, but the greek, Emcee doesn't finish the what was the outcome of the campaign, final phrase; the greek, song stops, unfinished, and he disappears. We know the about in The, story is not over. Herr Schultz will undoubtedly be put in a concentration camp and greek columns murdered.

We’ve already seen a brick thrown through his shop window in symbolism, Act II, a sinister foreshadowing of the 1938 Kristalnacht riots, a horrific night when the Nazis smashed Jewish shop windows, looted and greek architecture burned synagogues, and took tens of unattained love, thousands of Jews to concentration camps. And yet the architecture columns, Emcee is now happy to have helped us “forget” our troubles. Unattained Love? As the show ends, is the Emcee saying goodbye to us or Cliff, or both? Or is greek architecture columns he saying goodbye to what was the gallipoli campaign, the good times in greek architecture, Germany? It’s interesting that in the opening song, “Wilkommen,” the Emcee repeatedly delivers his message in German, French, and English (for example, “Wilkommen, bienvenue, welcome.”). But here at what was the outcome of the gallipoli campaign the end of the show, he says goodbye only in greek, German (“auf wiedersehen”) and emilia (othello) French (“ bientt”). There is no English goodbye. Columns? The melody doesn’t end and neither does the lyric.

The Emcee doesn’t finish his farewell. The English “goodbye” isn’t articulated, perhaps because it belongs to Cliff/Isherwood, who won’t be finished with Berlin until he writes his novel, which will be titled Goodbye to Obedience Kills in Hamlet, The Lottery, and A&P Essay, Berlin, finally finishing the greek, Emcee’s farewell. But the question remains: is the about Sexualization, title of the greek architecture, novel referring to Isherwood leaving Germany or to the fact that the was the outcome gallipoli campaign, old Berlin, a place of excitement and architecture freedom, was being destroyed and on Social Change would never return? Fraulein Schneider and Herr Schultz. Greek Architecture Columns? Fraulein Schneider and Herr Schultz are in some ways a traditional musical comedy couple in this very untraditional musical – and also the was the gallipoli campaign, primary romantic couple – yet in keeping with the tone of the show, they are left without a happy ending. Still worried about audience expectations in architecture columns, 1966, the show's creators turned Cliff and Sally into emilia, a mostly traditional musical comedy couple (though they are less so in the revised versions), with the greek columns, older lovers as the The Long, second (only somewhat) comic couple.

Fraulein Schneider is greek columns described in Citizens Effect on Social Change example, the stage directions as indestructible. In some ways, this is true, though by columns, the end of the The Long, show, her heart, her love has been destroyed. Greek Columns? Her first song, “So What,” shows us her ability to get past almost any obstacle, to take life as it comes, but this philosophy has a sour side. Emilia (othello)? The older couple has two songs. “It Couldn't Please Me More” accompanies Herr Schultz's gift of a pineapple, a very expensive, extravagant gift, to greek, Fraulein Schneider (a moment echoed in Kills in Hamlet, The Lottery, and A&P, The Blue Angel when a sea captain brings Marlene Dietrich a pineapple as a gift). Greek? They are older and unattained love wiser than Sally and architecture Cliff, so their material needs are few, but their emotional needs are every bit as substantial as the younger couple's. Later, Herr Schultz is was the outcome gallipoli caught in Fraulein Schneider's room and greek is forced to in Hamlet, Essay examples, pretend they're engaged to greek, save her reputation – a stock comic situation.

They decide it's maybe not such a bad idea, and Citizens on Social Essay they sing “Married.” Similar in nature to greek architecture columns, “Somewhere That's Green” from Little Shop of Citizens Effect on Social Change, Horrors , these songs are so effective and so charming because we're touched by the simplicity of greek columns, their love. Citizens Effect Change? Merely being together is all they need to be happy; and it is that simplicity that makes it so much more tragic when they are forced to cancel their engagement due to the prejudice sweeping through Germany. Greek? The show's creators have set up a traditional musical comedy love story, specifically to emilia, have it destroyed by the malevolence always lying just under the surface of the show, just as the new rules of greek architecture, concept musicals shattered the musical comedy conventions in management, Cabaret . Though Cliff can leave Germany, Schneider and Schultz can't. Schneider's song, “What Would You Do?” is architecture columns a companion piece to “So What;” but here her philosophy of simply surviving no longer has the same appeal it did at cathedral symbolism the beginning of the greek, show. Unattained Love? Now that she has had love, simply surviving is no longer enough. As they did in architecture columns, most of Essay in The, their musicals, songwriters Kander Ebb wrote old-fashioned Broadway tunes for completely unconventional, morally and emotionally complex situations. It’s this incongruity that lends each moment its peculiar power. The Importance of Being Ernst.

Ernst Ludwig is a fascinating and important character in columns, Cabaret . Unattained Love? When we meet him, on architecture, the train carrying Cliff to Berlin, he seems to be a charming, jovial, friendly guy. Cathedral? It’s important that the columns, audience loves him, that he is the most non-threatening character in unity, the show, so that at the end of Act I, when we find out he’s a member of the Nazi party, it’s as upsetting for us as it is for Cliff. Architecture Columns? We have to share Cliff’s disillusionment and sense of unattained love, betrayal. Among the greek architecture, messages of Cabaret is the idea that not all Nazi party members were monsters. Ordinary, decent Germans bought into unity management, the rhetoric of the Nazi party, some because they feared repercussions, some to better their social position, some because they needed to feel pride in architecture, their country that was falling apart, and some because the Nazi’s hateful, aggressive rhetoric didn’t pop up over unity management night – the columns, Nazis were brilliant in the way they introduced their ideas very gradually, very discreetly, into the German culture. If Ernst is cathedral played as a “dark” character from the beginning, if clues are given to greek columns, the audience that Ernst may not be a nice guy, the emilia, impact of his party membership is diluted, and the reality of 1930s Germany is greek architecture lost. The Long? Ernst may not be a particularly honorable character, but he is architecture columns real, and that is what outcome of the what’s most disturbing. The song “Tomorrow Belongs to greek architecture columns, Me” further reinforces this point. Outcome Of The Gallipoli? It’s used twice in the show. First, it’s performed by architecture columns, performers in the Kit Kat Klub, whom the script describes as handsome, well-scrubbed, and The Long idealistic. Greek Architecture Columns? The song comes after a scene in The Long, which the romance between Fraulein Schneider and greek architecture Herr Schultz is Essay example firmly established; it has also been established earlier that Herr Schultz is Jewish.

Knowing what we do about greek, pre-war Germany, we know there is trouble on the horizon. As if to unattained love, reassure us of the greek columns, dangers that lie ahead, “Tomorrow Belongs to Me” illustrates the what gallipoli campaign, sincerity and self-righteousness of the people who will follow the greek architecture columns, Nazis, the cathedral symbolism, people who believe the architecture, Nazis are their only hope for management, saving Germany. Kander and Ebb have really stacked the deck with this song to make it sound as wholesome and healthy as possible. Greek Architecture? The first two verses are filled with lyrical themes – nature, awakenings, the Effect on Social Essay, future, children. As the lyric becomes less pastoral and greek architecture more nationalistic, the unity management, orchestra joins in, with the french horn and guitar prominent, adding a rustic, bucolic sound. The most frightening lyric is the second to last line, which promises that a time will soon come when the world will belong to the singers (i.e., to Germany). On one level this can be interpreted as a deep connection to nature; on columns, another level, it refers to about Sexualization, Hitler's desire to conquer the world.

The love of greek architecture columns, nature is transformed into fanatical nationalism, one of the Obedience in Hamlet,, most dangerous forces in history, a force that still today motivates “ethnic cleansing” and wars around the globe. Architecture Columns? Then, at unity the end of architecture columns, Act I, at the engagement party, Fraulein Kost sings this song again to keep Ernst from leaving the party. With only an accordion accompaniment, the (othello), song still sounds pretty and greek innocent. What Was The Of The Gallipoli? Ernst joins her, with a swastika now prominent on his sleeve; if the subtext of the song wasn't obvious earlier, there can be no mistake about architecture columns, it now. Soon everyone at the party – except for unity, Schneider, Schultz, Sally, and greek columns Cliff – is unattained love singing proudly about the Fatherland. Columns? Like the earlier version, this rendition moves up a key for unattained love, each verse, increasing the architecture, dramatic impact. Sexualization Media? (Considering the Nazis' official position on greek architecture columns, immorality, it's ironic that the unattained love, song is architecture started by emilia, a prostitute.) At the greek, end of the song, the emilia, Emcee appears onstage to underline the greek architecture columns, menace of the Kills in Hamlet, and A&P examples, lyric, and as he disappears, the lights go out. The important point the greek architecture, song makes is Obedience Kills The Lottery, examples that the people of Germany were not rallying around a party committed to greek architecture, killing; they only knew that the Nazis promised prosperity and the salvation of Germany. Essay Sexualization In The Media? In the film version, Brian and architecture Max are sitting in a beer garden out in the country, when a young blond boy begins singing “Tomorrow Belongs to management, Me.” Slowly the camera pans down to the swastika on his arm band.

The people in the beer garden smile at his youth and greek architecture his love for his country. Two waiters start singing with him, then one by one, the onlookers stand and join in. Of The Gallipoli Campaign? There is pride in their faces, determination, fierce patriotism. As each verse moves up a key, the crowd becomes more and more impassioned. Architecture Columns? These are not murderers; they believe they are patriots. What Was The Of The? They don't know the Nazis will soon be practicing genocide. People today often ask how the German people could have been so easily seduced by Hitler.

The answer is that they loved their country and didn’t listen closely enough to the Nazis propaganda. Greek Architecture? At the end of the scene in symbolism, the movie, Brian and Max are getting in their car to leave and Brian says to greek architecture columns, Max, “Do you still think you can control them?” It is a deeply disturbing scene to watch mainly because these are simple, good people who have no idea what the about in The Media, Nazis have planned and greek architecture what the future holds for their beloved Germany. Fraulein Kost is The Long War Essay a fascinating character who is too often played as a stereotype, there just for greek, laughs about sailors and sex. Unattained Love? But she’s more than that. She is a survivor like Fraulein Schneider. Greek Columns? But though Schneider once had money and still owns a boarding house, Kost has never had that advantage. Her only option (at least in her mind) is to sell herself. Unity Management? She’s not just a hooker; she’s someone who had very few, if any, other options.

Would she be in architecture, this line of work if there weren’t an cathedral symbolism, economic crisis? Who knows? But playing her as a one-dimensional “type” dilutes the impact of Germany’s economic problems in 1930. She is greek a rich, complex character who is rarely given her due. One way to Kills in Hamlet,, give her the depth she deserves is to assign her the columns, German verse that has been inserted into Essay about Sexualization in The Media, the song “Married” in recent revivals.

It gives her a point of view on love, marriage, and the future. Columns? It helps explain her almost desperate attempt to keep Ernst at the engagement party and unattained love it tells us that perhaps she needs love as much as money from greek architecture columns her sailors. The score to Cabaret has two kinds of Obedience in Hamlet, examples, songs – comment songs and architecture book songs. The comment songs are those performed in management, the Kit Kat Klub (and in the original production, sometimes in front of a light curtain). They are diegetic, meaning that the characters are conscious of the greek columns, fact that they're singing. They work in a night club, so the Essay, act of architecture columns, singing is unattained love part of the action of the architecture, story.

The book songs are the kind of regular musical comedy numbers that you find in campaign, most traditional musicals, in architecture columns, which characters express their thoughts and feelings through the artificial language of War Essay, singing. Greek Columns? The book songs are not realistically motivated; if these characters were real people in real life, they would not be singing; and in Obedience in Hamlet, and A&P examples, the world of the greek architecture, story, the characters aren't aware of the fact that they're singing. In The? Traditional musicals usually use only book songs. When Curly and greek columns Laurie sing “People Will Say We're in War Essay, Love” in Oklahoma! , the characters don't know they're singing. When Arthur sings “How to greek columns, Handle a Woman” in Effect on Social Change, Camelot , he's not aware that he's singing. Greek? In the Obedience and A&P Essay, latter case, we're hearing his thoughts; the architecture, song is an internal monologue. The film version of Change Essay, Cabaret cut all the show's book songs (unless you count “Tomorrow Belongs to architecture columns, Me”) and only used the (othello), realistically motivated comment songs. Because of greek architecture columns, this, there is symbolism debate over whether or not it's still really a musical, technically speaking.

The 1993 London revival solved this problem of architecture, stylistic schizophrenia by playing the conventional book scenes on the nearly empty club stage, in effect, making every song and cathedral all the dialogue scenes club acts as well. Greek Architecture Columns? It was the The Long War Essay, first production of the show that really gave the musical a sense of columns, unity it hadn’t had before. Unity Management? The first song in Cabaret , “Wilkommen,” functions as both a comment song and a book song. It welcomes us both to architecture columns, the Kit Kat Klub where much of the action will take place, and also to in Hamlet, The Lottery, examples, Cabaret , the columns, musical. The Emcee is in Hamlet, The Lottery, Essay examples addressing the audience in the Kit Kat Klub while he also addresses the greek columns, real audience. The Long War Essay? Using the opening song this way prepares us for greek architecture, the two different uses to cathedral, which songs will be put in the show. The next comment song is “Two Ladies,” positioned just after Cliff has decided to let Sally move in with him. The song presents the Emcee and two female roommates, clearly illustrating the humor and perceived immorality of co-habitation. The song works better in the film in which it describes Sally, Brian, and Max's threesome, a situation more like the situation described in greek architecture, the song. The song also loses part of its punch in the revised versions of the show in which we already know Cliff is on Social Change Essay gay; although we will later find out architecture columns they have slept together. This song may be a conscious homage to Trude Hesterberg’s actual German cabaret number “Particularly Refined Ladies,” which is similar in unattained love, content.

Later in the show, after Cliff accepts a job smuggling for greek architecture, Ernst and The Lottery, and A&P examples his unnamed political party, the scene shifts to greek architecture columns, the Kit Kat Klub, and the Emcee begins another comment song, “The Money Song.” The song in Obedience Kills in Hamlet, The Lottery, Essay, this spot since the 1987 revival is actually two songs – “Sitting Pretty” from the 1966 stage version and greek columns “Money, Money” from the film. This new hybrid begins with the Emcee telling us that, though everyone else in his family is starving (as most Germans were at Kills the time), he's got all the money he needs. Architecture Columns? The reason? He sells girls (and perhaps himself), the obvious implication being that Cliff is prostituting himself for a buck. The song then goes on unattained love, to say that money makes the world go around. When you're poor, neither love nor religion makes a bit of difference; only money can put food in your mouth and a roof over greek your head. If you're lonely, money can buy companionship. Unity? If you're overworked, money can buy a vacation.

In the architecture columns, minds of the people of The Long War Essay, Germany, only architecture money can solve their problems. For Cliff and emilia (othello) Sally, now expecting a baby, money is more important than ever. An end to architecture columns, the depression was one of the Nazis' biggest promises to Citizens on Social example, the German people. Greek Architecture Columns? “The Money Song” is a testament to the fact that people will do almost anything – including abandoning their morals – for money. Unattained Love? Gorilla My Dreams. In Act II, scene 2, Fraulein Schneider, unnerved by the events at columns the engagement party, comes to tell Herr Schultz she has reconsidered and will not marry him. Though she doesn't say it outright, we know she has a great – and Sexualization Media legitimate – fear of architecture, anti-Semitic acts of violence that would be perpetrated against them both. As she leaves the stunned Herr Schultz, the symbolism, scene returns to the Kit Kat Klub where the Emcee enters with a gorilla in a dress. Architecture Columns? He sings, “If You Could See Her.” The song describes the unattained love, blossoming romance between the Emcee and the gorilla and columns the prejudice they encounter whenever they go out in The Long, public; if we could only see her though his eyes, he pleads, we would understand their love. The audience laughs along with the ridiculous premise of the song, especially during the dance break.

At the end of the greek, song, the Emcee stage whispers the Essay in The Media, shocker: “If you could see her through my eyes, she wouldn't look Jewish at all!” The show's writers have caught us. Greek? We easily accepted the (othello), fact that a man can't possibly fall in love with a gorilla, just as most Germans easily accepted the fact that a gentile can't possibly love or marry a Jew, or as many people today easily accept the fact that it's unnatural for architecture columns, two men or two women to fall in unattained love, love. In the greek architecture, film version, the unattained love, Emcee delivers a short speech midway through the columns, song; he asks if it's a crime to Essay Media, fall in love, and asks why can't the greek columns, world live and let live. The sad truth is about Sexualization in The that sometimes in our mixed-up world, it still is architecture a crime for The Long, some people to fall in greek, love. There will always be people who want to control other people's behavior. What Was The Gallipoli? This song is greek architecture columns about perception and preconceptions, and about about the greek architecture columns, inherent absurdity of was the campaign, any kind of prejudice.

It's meant to make the greek architecture, audience very uncomfortable, and cathedral it does. It worked well enough in greek, 1966 that the creators reluctantly softened the last line to management, appease the many audience members who were infuriated by architecture columns, it. The lyric was changed back for the revivals. Like “Willkommen” and “Tomorrow Belongs to symbolism, Me,” the greek, song “Cabaret” is used both as a comment song and The Long War Essay a book song. It's ironic that Sally sings this song of architecture, happiness and contentedness just after Cliff has been beaten senseless by emilia, some Nazis. But soon, the greek architecture, song changes from a book song into emilia, a commentary song. Columns? This is the (othello), attitude will allow the Nazis to win the architecture columns, elections.

People would rather think about symbolism, happy things, having fun, enjoying life. Greek? Politics, the depression, immorality, the management, downfall of Germany, these are not topics people like Sally want to think about. Ironically, life in greek, Germany will soon not be a cabaret. Millions will be killed, war will ravage the what campaign, country, Hitler will commit suicide and greek columns Germany will surrender. To the Kit Kat Klub audience, Sally's song is Essay example delightful. Architecture? To the real audience, with the knowledge of unity management, what will happen in Germany, the greek architecture, song is terribly disturbing. Essay About? Subtextually, the lyric also partially describes the social activist mood of greek architecture, 1966 America, the management, refusal to sit at greek columns home doing nothing. But “Cabaret” is unity management more. Architecture? The centerpiece of the cathedral symbolism, song, the greek columns, story about Elsie, is Citizens Effect Change Sally’s direct response to greek architecture columns, Cliff, her mother, and unattained love anyone else who has criticized her lifestyle.

Sally has no doubt read romance stories, which at that time still romanticized the idea of dying tragically young. Sally not only greek believes that she has to unattained love, have “several passionate affairs,” but she must also die dramatically and tragically at architecture columns too young an what was the of the gallipoli, age, in architecture columns, order to give credibility to her image of herself as a woman who’s Bigger Than Life. What Was The Outcome Of The Campaign? The Elsie story is architecture columns Sally’s justification for her endless party of a life; and Elsie’s status as “the happiest corpse I’d ever seen” is, in Sally’s mind, a perfectly convincing response to Sexualization Media, Elsie’s (i.e., Sally’s) neighbors’ who believe that “that’s what comes from too much pills and architecture liquor.” Cliff has rejected her lifestyle but now she has the stage. She will tell her side of the story. (othello)? The tragedy is greek architecture that she probably doesn’t really even believe it anymore.

Life isn’t a cabaret anymore for (othello), her; her life is in architecture, ruins. It’s not clear if she’s had the abortion already by Obedience The Lottery, and A&P Essay, the time she sings this song, but either way, it’s on greek architecture, her mind. Essay Media? Maybe she’ll bounce back this time, maybe she won’t, and it’s that declaration of something even she doesn’t really believe that gives this song an greek, underlying sadness, despite the manic music and optimistic lyrics. In fact, several recent productions have played this song as an The Long War Essay, actual nervous breakdown for Sally, with her literally screaming the greek, lyrics by the end of the song. But there’s one more thing going on cathedral, in this song. Greek Architecture Columns? In a way, this is a very public (though perhaps subconscious) working out of unity management, her decision about the abortion. Does she have the baby and greek columns enter into unattained love, the dreary world of domesticity, like her friend Sybil – metaphorically sitting alone in architecture, her room – or does she abort the baby and The Long continue her lifestyle of parties, alcohol, drugs, and architecture sex – the tasting of the Citizens Change Essay, metaphorical wine, the celebrating of life as a cabaret. Greek? She decides in this song that she will continue her wild life, which means she must abort the Effect Change Essay example, baby. The show has set up two friends of columns, Sally’s, two opposite role models from which Sally must choose. Her school chum Sybil came to “a bad end” by Obedience Kills in Hamlet, The Lottery, Essay, falling in greek architecture columns, love, getting married, and management having babies.

Elsie, Sally’s friend from columns Chelsea, ended up “the happiest corpse” Sally had ever seen. Emilia? By the end of the greek columns, show, Sally has chosen to management, be like Elsie. And by greek architecture columns, rejecting Sybil, she rejects Cliff and about Sexualization Media their child. Greek Architecture Columns? It’s after performing this song in cathedral symbolism, the club that she stays out all night, seeing the doctor who aborts her baby. The recent trend to greek columns, play “Cabaret” as a breakdown makes even more sense with the abortion in mind.

One of the The Long War Essay, clever, usually overlooked devices the columns, score uses is Essay about Sexualization in The connecting songs and greek columns characters through introductions. The introduction of about Sexualization Media, “Don’t Tell Mama” echoes the introduction of architecture columns, “Wilkommen,” connecting these two club numbers. Emilia? The introduction of architecture columns, “Perfectly Marvelous” is an The Long War Essay, instrumental reprise of “Don’t Tell Mama,” clueing us into the fact that Sally is performing for Cliff, and greek architecture also suggesting that just like dancing in unattained love, a club, living with Cliff is architecture something of what outcome of the gallipoli, which Sally’s mother would not approve. There’s even a second quote of greek, “Don’t Tell Mama” here in The Long War Essay, the underscoring in columns, the middle of the song. The introduction to “Tomorrow Belongs to Citizens Effect example, Me” quotes “It Couldn’t Please Me More,” connecting the two songs, making it clear that “Tomorrow” is commenting on greek, the wholesomeness of Schneider and Schultz’s relationship, a wholesomeness that will be turned into horror. The introduction to “Why Should I Wake Up?” is a quote of “Perfectly Marvelous,” showing us that Cliff has bought into cathedral, Sally’s world view, that he’s enjoying the crazy distraction of her living there, and that her con has been successful.

The introduction to greek architecture columns, “Married” also quotes “It Couldn’t Please Me More,” connecting these two songs about Schneider and The Long War Essay Schultz’s romance. It’s interesting that when “It Couldn’t Please Me More” is used as dance music at the fruit shop party, it’s introduced by a musical accompaniment pattern that will be used later for “If You Could See Her.” It’s an almost unnoticeable device, connecting Schneider and Schultz’s romance to architecture columns, the celebration, but also to the very unpleasant Act II comment song that will introduce the idea of anti-Semitism into the relationship. What Gallipoli? And finally, the introduction and the final instrumental tag in greek architecture columns, “Cabaret” echo the introductions to “Wilkommen” and “Don’t Tell Mama,” but this time the chords are much more dissonant, much harsher, and Sexualization Media also more manic, more out of control. Sally hasn’t learned anything, and greek columns her life has spun out of control, which her accompaniment illustrates. Again, it may not be consciously noticed by the audience, but they will feel that though this sounds like Sally’s earlier music, it also sounds uglier. Citizens On Social Change Essay? The question remains: why produce a thirty-five-year-old musical?

The answer is simple. Greek Architecture Columns? Because it still matters. Because there are some lessons in life so important we must revisit them from time to Citizens Effect on Social example, time. Greek Architecture Columns? What does Cabaret have to teach us in Obedience and A&P examples, 2001? That it’s not okay to ignore what’s going on around us, that we cannot allow our world to greek columns, be less than it should be, that we should never keep quiet, that it’s important to participate, that we have a responsibility to each other and to The Long War Essay, our community, that any discrimination, any indignity, any prejudice, no matter how slight must be brought out into architecture, the light of Effect Change example, day and condemned. What would have happened in Germany in the early 1930s if more people had voted? What would have happened if people like Sally Bowles had paid attention to architecture columns, what was happening in the Reichstag? What would have happened if people like Fraulein Schneider had stood up and said loudly and decisively that they will not accept intimidation, that they will not be bullied, that they will not go along in War Essay, the name of self-preservation? What would have happened if the people of Germany had listened more closely to the Nazis and then stood up and denounced Adolf Hitler for columns, the madman he was?

Would things have been different? Who knows? But there was some moment, before the unity, point of no return, when the greek, Germans could have gone down a different road and saved the world from the cathedral symbolism, horrors that should not have been inevitable. Greek Architecture Columns? Cabaret is Sexualization in The Media about that moment, a time when it wasn’t yet too late, when Germany wasn’t yet locked into the path that would lead to the murder of greek, millions of Jews. The Long? But the people of Germany couldn’t see what we see. Columns? They didn’t know how their choices, their fear, their apathy would lead to bigger things.

People like Fraulein Schneider and Fraulein Kost were busy just trying to survive. People like Sally Bowles were busy having too good a time. Cathedral? The extermination of the Jews started small, in greek, tiny, daily indignities, in little, nearly unnoticeable acts of prejudice, in seemingly innocent jokes, in the words people chose. The Long War Essay? Could the same thing happen today? Of course it could.

Right wing political leaders in America today say pretty much the same things the Nazis said about columns, gays, women, family, religion, culture, education, and Essay about Sexualization patriotism. Greek Architecture Columns? It may not seem dangerous right now, but it didn’t seem dangerous in Germany in what gallipoli, 1930 either. We have an greek columns, obligation to learn from what happened in Germany. We have an on Social Change Essay example, obligation to greek columns, make different choices. Essay Media? If we don’t do it today, it may be too late tomorrow.

The vocal selections (from the greek architecture columns, stage and outcome gallipoli film versions), and architecture the full piano vocal score (the 1966 stage version) have all been published. The original script is not available but the script of the unattained love, 1998 Broadway revival is available in an attractive coffee table book. The original cast recording is available, as well as the 1998 revival cast album and columns the film soundtrack. After 1987, the emilia (othello), song Don't Go replaced Why Should I Wake Up and I Don't Care Much was added in the second act. Meeskite was cut. And Sitting Pretty was absorbed into the new medley, The Money Song. The only complete recording of the score is a 1999 studio cast recording with Jonathan Pryce, Maria Friedman, Judi Dench, and architecture lyricist Fred Ebb as Herr Schultz. This recording contains the on Social Essay, entire original score, plus all the songs added for the film and the revivals. The most valuable sources for background information will be history books on columns, Weimar Germany and the rise of the Nazi party.

One fascinating book that will offer great insights into the material is Linda Mizejewski's Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles , which discusses every version of the Sally Bowles story, including the novel, play, movie, stage musical, and movie musical. What Was The Of The Gallipoli Campaign? Another great book is Peter Jelavich’s historical study Berlin Cabaret . Also, Ute Lemper has recorded an album, called Berlin Cabaret Songs , of songs from German cabarets that were banned by columns, the Nazis.

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